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What a freakin’ great band King’s X is. Just amazing. Often said one of the best bands never to “make it,” which I guess means get too rich for your own good, battle alcoholism, and at least once get divorced and/or issue an album of complete shite. Okay, not in every case, but you get […]
Does it get any better than Bad Company for classic rockage? I’ll answer that for you: No! For years I’ve held onto an old Guitar Player with Mick Ralphs on the cover, and of course now I can’t find it…but I did find the interview online. In it Mick goes into some pretty decent gear […]
There’s this issue of the old, defunct but often awesome Guitar Shop mag I have that runs down Dave Gilmour’s live gear from every period of Pink Floyd. Crazy! Actually too much stuff to put in here, but I had to get something in so here we are. The thing that kick-started this post is […]
…The Brian May and Joe Bonamassa Connections Rory Gallagher was Irish. ‘Nuff said. Seriously, Rory was a bad motherFer on the geetar, no doubt. I wish I was more familiar with him and his stuff, but here’s a cursory overview of his gear and tunes for others like me. Rory fans chime in with any […]
At this point it seems like Jimmy Page is the keeper of the Led Zep flame – doesn’t it? Plant isn’t interested, JPJ is awesome but ain’t the point man, so we have Jimmy. And how much of the Zep sound is Jimmy? He obviously wrote the riffs and a bunch of the tunes, but […]
In a 1978 interview for Guitar Player magazine, this guitar-slinger said the following: > He created his own guitar by mixing and matching parts from Fender instruments. > Part of the creation was chiseling out a spot so he could put a humbucker in the guitar. > The pickups were directly mounted to the wood.
My buddies convinced me to go see The Smithereens Sunday night, a free outdoor show at “Maplewoodstock” in Maplewood, NJ. I’ve never been a Smithereens fan, and never not been a Smithereens fan, if you know what I mean. Knew a couple songs from the radio back in the day when rock was on and […]
The Fender Jeff Beck signature Strat – MSRP of $2,199 – is a unique animal in Strat-dom. Meaning basically it’s a customized standard Strat. But the one Fender sells isn’t much like the one Jeff plays. The Fender Beck Strat has a Strat-standard alder body, maple neck (9.5″ radius) and rosewood board. But per Beck’s […]
Not Peavey Maces! Peave Mace, Peavey Mace, all we’ve heard for years is that the Lynyrd Skynyrd guys used Peavey Mace amps. Somewhat true. They did, but not all the time – and apparently not on the recording of ‘Sweet Home Alabama.’ Stumbled onto an interview with one of the engineers of that tune (off […]
Is a Strat a rock instrument? Seriously. I’m talking about a Strat with a single-coil pickup at the bridge. If so, can you name five rock Strat players in 10 seconds? How about five rock Strat players whose tones you’d want to cop? I can only name two. I’m not dissing Tommy Bolin or anyone […]
It’s no secret that I like Joe Bonamassa. The guy is flying the flag – of blues, blues-rock and classic rock. Works hard too. Tours his butt off and puts out new music like bands used to do in the old days: Black Rock about a year ago, Black Country Communion (they’re touring, so get […]
Part 1 – Plus Iso Tracks! I love Mick Jones’ stuff. Simple riffs, great song hooks and I love the tone he has on some of the older tunes. It’s Marshall plexi, but…different. I’d always thought I heard something different there, anyway. Maybe it had to do with the odd wiring in his Les Paul. […]
I’ve had these three old Guitar Player magazine interviews kicking around on my desktop for a while now, decided to wind them up into one post. Interesting stuff, here are the most interesting tone-related excerpts:
Wow. A man dying so young and out of the blue (no apparent sickness or substance abuse) is a body blow in the guitar community. RIP Gary! Had to do a tribute of sorts. Thought for a while about what to do, here’s the result. Hope you enjoy. (Diehard Moore fans, please contribute any gear […]
Yngwie Malmsteen’s signature Marshall has gotten a lot of interest, seemingly more because people like the idea of a 100w Marshall plexi with attentuation (power scaling) than because it’s a signature amp. With the recent NAMM trade show now over, some more details of the amp have come out.