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High Knuckles = ‘Well-Spoken’ Tone? Here’s a guy I never thought we’d write about on this blog. In case that’s not clear, I’ll come right out with it: I’m not a Grateful Dead fan. The whole never-ending concert, drooling stoner, zero-aggression, electric caravan music scene was never my thing. Call me close-minded, but I never […]
…and Not Needing To In keeping with our picking theme this week, here’s more, this time from the one and only Allan Holdsworth. In a 1990 Guitar Player magazine interview, he says he can’t sweep pick – which I’m assuming is true only because he doesn’t really want to because there’s nothing Allan can’t do […]
Sometime back I started a thread on thegearpage.net titled “Outlaw sweep-picking?” and I meant it – sort of. I meant it in the sense that 9 out of the 10 times I’ve seen or heard sweep-picking in the rock arena, it’s been pure “wankage.” It may even detract from all-important TONE.
One of the biggest things to come out of the recent NAMM show – that strangely got little media attention – was Jackson Guitars’ (owned by Fender) announcement that it is making 60 exact (including relic’d) replicas of Randy Rhoads’ white Jackson.
Guitar fans owe a debt of thanks to Ozzy (or really Sharon, for saving him). Musically, I mean. The reality TV thing…not so much. Not only does Ozzy pick incredible guit-slingers for his bands – pretty amazing since he claims not to know much about the guitar – he also gives them the freedom to […]
Have you heard about Black Country yet? This is the newly announced band with Joe Bonamassa (awesome chops and tone), Jason Bonham (awesome kabooming beats and tone), Glenn Hughes (awesome song magic) and Derek Sherinian (awesome augmentation, if you dig keys). Kevin Shirley is producing, and not only does he produce Joe but also has […]
If you heard Paul Gilbert in Racer X in the ’80s, he was shredding. In Mr. Big in the ’90s he was playing poppy, but still managing to shred. On his solo albums he shreds, but not all the time. So for many of you, Paul Gilbert may = “shred.” But I think the best […]
Nuno In a Similar Boat… Since we recently ended a year and, according to some, a decade, I thought about writing a post on the year’s/decade’s best/worst whatever…but decided it would run a serious risk of being boring. Or at least redundant. But I couldn’t let one thing pass without writing about it. And because […]
Plus Jimmy Playing Whitesnake’s ‘Still of the Night!’ Word is the mighty Jimmy Page is going to do “something” musically this year, after seeing his attempt to get Zep II off the ground with a new singer fail, and watching John Paul Jones have fun with Them Crooked Vultures. I can’t wait. I’m sure it […]
In September we posted that a new Slash Les Paul was in the works, along with new signature pickups. Well, with the winter NAMM show just weeks away, details about lots of products are beginning to trickle out, including the new Slash pickups. Here’s what we know.
Even though it’s the Year of the Tiger, here’s another Ratt post – this time on Robbin Crosby, who died some years ago of drug addiction. This info, from the April 1987 Guitar Player, is not comprehensive gear-wise but sheds some light on his sound and on what he and Warren used on Dancing Undercover. […]
Here’s part 2 of the post on Warren DeMartini’s gear – plus intel on how to make your own snakeskin-covered guitar and how he looks at guitar solos. All of this info is from the 1987 Guitar Player interview and the warrendemartini.net site referenced in part 1. All quotes are Warren’s unless otherwise noted. Picks […]
I remember the Guitar Player magazine with Warren DeMartini on the cover – because it never arrived. I remember looking forward to it, I remember seeing it in guitar stores, but it never arrived at my house even though I was a subscriber. That’s how guitar-crazy the ’80s were: someone at the post office stole […]
Bonzo! Alex! When you’re pondering how to improve your tone and playing next year, think about this: It’s inspiring to play with a good drummer. You might play differently, you might be inspired to new heights in riff-dom and all that could change your tone – much of which is in your fingers anyway.
You might. It would probably be a mid-70s Fender Stratocaster, which Lowell (of Little Feat) was favoring at the time, but could be something else. Why am I asking? Here’s why, from the August 1976 issue of Guitar Player magazine: GP: How many guitars have you had? Lowell: I’ve had 50, 20 of which I […]